by Charly Mann
Chapel Hill was once a truly enchanted magical place where reality far exceeded any fantasy a young boy like myself might imagine. I could walk a half a mile through the dense forest near my home and be at Gimghoul Castle, an isolated stone castle which never showed any signs of habitation, and offered the most magnificent views of Durham and Raleigh I could imagine. Next to the castle was a blood stained rock where a love duel was fought more than a century earlier. On the campus in the Morehead Planetarium there was large room that housed John Motley Morehead's magnificent working model train layout. Less than a block away in the basement of Graham Memorial was the largest collection of dolls I have ever seen from around the world in more than a half a dozen floor to ceiling glass cabinets. There was also a huge haunted mansion that lay in the woods near where Manning Drive and the Dean Smith Center are today. The most spectacular thing in Chapel Hill for a young boy was The Circus Room which was a small snack bar at the back of the Monogram Club. That building is today called Jackson Hall and is where the Office of Undergraduate Admission is located.

This is one of six separate circus animal carvings that Carl Boettcher did for The Circus Room in 1948
What made the Circus Room incredible was that it was surrounded by carvings of a circus parade and large circus animals attached to the mirrored walls. The detail and craftsmanship exceed, or equaled, any carving you will ever see at a great museum. They also captured for all time in redwood the excitement of a young Chapel Hill boy in 1900 watching a circus parade come through town. This work of art was the product of two of Chapel Hill’s greatest artists William Meade Prince and Carl Boettcher in 1948. Prince, who grew up in Chapel Hill, made a sketch of the parade for his wood carving partner. The entire diorama is seven large pieces featuring a 25 foot long circus parade, which is the most detailed and intricate part of the carving.

This is the front third of the detailed Circus Parade carving that was displayed at The Circus Room from 1949 to 1968
Boettcher was born in Wolgast, Germany in 1887 and began a career as a wood carver at a very early age. He was an apprentice to several great German wood carvers and also attended Kunstgewerbe Art School in Flensburg, Germany. In Germany he specialized in carving alters, pews, and religious icons for Lutheran churches in the Westphalia area. He came to the United States in 1923 and moved to Chapel Hill in 1942. He did several other significant pieces for the University of North Carolina including a woodcarving of the University seal, a plaque at the Bowman Gray pool, several pieces in the Morehead Planetarium, and a gate for the Forest Theater which I would love to locate.

This is among the circus animals that were part of full Circus Parade piece. Not pictured in this article was a giraffe, which was the tallest of the carvings.
Carl Boettcher died in 1950 and is buried in the Chapel Hill cemetery just steps away from where the Circus Room was located. Today his spirit lives on in the works of Chapel Hill muralist Michael Brown whose mural Parade in the Porthole Alley was directly inspired by this great work of art.

This is the Circus Room in 1949 shortly after the Circus Parade carving based on a painting by William Meade Prince was installed

This is a circus Zebra done for the Circus Parade carving at UNC. The only other piece not shown here is a large standing elephant.
The Circus Room closed in 1968 and in 1970 the Circus Parade carvings were moved to the Carolina Inn where in spite of its magnificence it did not have the same impact as before. In 1992 the pieces were once again moved, this time to the Alumni Center where they now stand at the entrance of the Carolina Club. Where once the carvings hung on mirrored walls at eye level in small snack bar open to all, they now stand in a stairway high above direct eye level against a rather bland wall in a building that reeks of exclusivity.

This is an ad for the Circus Room at UNC in 1951. There were two other snacks bars on the UNC campus then. One at the YMCA next to South Building, and the most beloved of all, The Scuttlebutt, at the corner of Cameron Avenue and South Columbia Street.

This Kangaroo Carving from the Circus Room diorama first hung at the Circus Room snack bar. It is now a t the UNC Alumni Center near Kenan Stadium.

What is it that binds us to this place as to no other? It is not the well or the bell or the stone walls. or the crisp October nights. No, our love for this place is based upon the fact that it is as it was meant to be, The University of the People.



If I'm not mistaken, Carl Boettcher also carved the wooden plaque emblem of the Golden Fleece for the Order. It was used sometimes in the tapping ceremonies when they were held in Memorial Hall. Seems to me it is/was about 4' x 4' or larger and maybe a one-and-a-half to two inches thick.