by Charly Mann
On March 23, 1968 I had the pleasure to see Steve Gillette, a phenomenal Southern California singer-songwriter, perform at The University of North Carolina in Chapel Hill. In spite of not yet releasing his first album Gillette was already a legend in my circle of friends. In 1965 his now classic song Darcy Farrow had appeared on Ian and Sylvia's monumental Early Morning Rain album, and several of his compositions were already staples around campfires and in the sets of several other great folk singers including Gordon Lightfoot. His fame was further cemented in 1967 when he dueted and played guitar with Linda Ronstadt on his song Back on the Street Again. In 1968 it seemed like everyone was covering his songs and Back on the Street Again was a national hit by a group called The Sunshine Company. I, along with most of the crowd around me, was awed by his performance that evening. He proved to be as a good a showman and singer as he was a songwriter. I had always admired a good song no matter what the genre, but to see a composer with such a great voice effortlessly ease through a set of his own songs with good humor made the show a transcendant experience. At the end of his performance the applause seemed to go on forever.
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by Charly Mann
Bland Simpson is a Chapel Hillian with an absurd diversity of talents. He is a composer of highly regarded musicals, an author, teacher, sometime member of the renowned eclectic string band The Red Clay Ramblers, and a skilled house painter. In the late 1960s and early 70s it seemed like Bland was destined to become a singer-songwriter superstar like his friend James Taylor and mentor Bob Dylan.
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by Charly Mann
I have probably been to nearly 1000 concerts in Chapel Hill, but the one I am least likely to talk about is seeing the Monkees at the Dean Dome on October 17th,1986. That is because the Monkees' music has always been my one guilty musical pleasure. They were a totally manufactured group created by the Hollywood audition process to portray a television sitcom band that would resemble an American version of The Beatles. Worse than that, their songs were written primarily by Brill Building songwriters from another era, and none of the Monkees even played any instruments on their records. Nevertheless they did have a handful of memorable songs, and I especially loved the Neil Diamond-penned I'm A Believer, as well as Daydream Believer written by one of my heroes, former Kingston Trio member John Stewart.
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by Charly Mann
Chapel Hill has produced many great singer-songwriters, but David Massengill is probably the best authentic troubadour to originate from our town. For the last forty years he has followed the classic troubadour tradition by composing songs in a wide variety of voices and styles that range from romantic, political, historical, lighthearted, deeply philosophical, to the nearly obscene.
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by Charly Mann
In the Fall of 1959 The Kingston Trio was the most popular group in the world. The previous year their debut single Tom Dooley, which was based on the 19th century North Carolina murder of Laura Foster by Tom Dula for giving him syphilis, was the #1 song in the country. Since then they had had four #1 albums and were the most popular concert attraction in the nation.
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by Charly Mann
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by Charly Mann
Most people remember the start of Beatlemania as February 9th, 1964 when the Beatles first performed on the Ed Sullivan Show. That may have been true in the rest of the United States, but the Beatles had become a popular in Chapel Hill almost a month earlier. The Record Bar on Henderson Street began a campaign entitled The Beatles Are Coming in early January. As you walked in the door there were stacks of a free newspaper called National Record News with the headline SPECIAL BEATLES ISSUE and a large rack displaying the first album to be released by the Beatles in America called Introducing the Beatles.
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by Charly Mann
This article is about my 1970 summer vacation which led to me interviewing Janis Joplin, and seventeen years later to a great concert in Chapel Hill by legendary singer-songwriter Eric Andersen. Included is a wonderful story about former Chapel Hill resident Carey Raditz, the subject of Joni Mitchell's great song Carey.
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by Charly Mann
The story of The Blazers began in the foothills of North Carolina in Rutherford County when in 1963 Sherman Tate got his first guitar. He soon became enamored by the music of the Rolling Stones and their charismatic front man Mick Jagger. Sherman's first band was called December's Children, which was the name of a 1965 album by the Rolling Stones.

The original Blazers: left to right - Rodney Underwood, Ronnie Taylor, Sherman Tate, Jimmy Weaver, and Joey Earth
In 1967 Tate came to Chapel Hill and established himself as one the central figures in the town's emerging rock 'n' roll music scene. In 1969 he put together and fronted the legendary band Frog Level with two of other of the best musicians in the state, Spiral Spurlin and Granny Grantham. In 1970 the band relocated for two years to Toronto so Tate could avoid the draft. In Canada the band really took off and might have made it to the big time if Sherman had not decided he wanted to return to Chapel Hill. When the band returned to Chapel Hill they became regulars at Fat City (now He's Not Here), and Sherman took a job in a store I managed, The Record and Tape Center. Later that year Frog Level broke up and Sherman took a brief hiatus from being a performing musician.

Sherman Tate - Born to Rock 'n' Roll
In 1974 guitar wonder kid and marketing savvy Rodney Underwood convinced Sherman he was the man to front a polished rock and roll band with a strong rhythm and blues undertone, and the Blazers were born. The other original members of the group were Joey Earth (a nom de plume for Joey Sinreich) on bass, and long time Chapel Hill resident Ronnie Taylor on drums. The band quickly established a loyal following and remains the best looking foursome in Chapel Hill's history. Despite Sherman taking off a couple years to enjoy the serenity of northern California, the band revived in 1977 with the addition of Jimmy Weaver on keyboards. It was this line up that I saw several times at the Cat's Cradle and Town Hall music clubs in Chapel Hill. They impressed me so much that I signed them to my record label Cream of the Crop Records.

Logo of my record company, Cream of the Crop Records, on which the first Blazers album was recorded
What made the Blazers an exceptional band was the amazing transformation of the mild mannered Clark Kent-like Sherman Tate into the outrageous bundle of energy known as Shakin' Sherman when the Blazers took the stage. To the trained eye the only visible difference were the dark glasses that were his trademark when performing, yet his personality was so different that it always seemed miraculous when he metamorphosed into a cross between James Brown and Little Richard.

Legendary Chapel Hill band Frog Level in 1974 featuring Sherman Tate (photo by Ric Carter)
I produced the Blazers first album and the recording was done at Mega Sounds in Baily, NC in 1977. Besides the Blazers the album featured guest vocalist Adele Foster, Jim Henderson on tenor and alto sax, and Spiral Sperlin on harmonica. Richard Royal served as the engineer. The album was titled Store Bought and the cover photograph was taken inside the Record Bar on Franklin Street. On the cover the five members of the Blazers are surrounded and embraced by fourteen of Chapel Hill's most beautiful women. The album had many highlights including, I think, the best cover of the J.J. Cale song, They Call Me The Breeze as well as what several critics have hailed as the best rendition of Wilson Pickett's 634-5780. My own favorite is their Southern rock treatment of Billy Joe Shaver's I've Been To Georgia on a Fast Train.

Cover photo of the Blazers album Store Bought
The Blazers Store Bought album sold well in Durham, Raleigh, and Chapel Hill and was reviewed favorably by all the local media. One local newspaper even rated it one of the top 15 albums of 1977 along with albums like Bruce Springsteen's Darkness on the Edge of Town, Billy Joel's 52nd Street, Dire Straits debut album which included the song Sultans of Swing, Tom Waits's Blue Valentine, Little Feat's Waiting for Columbus, The Cars debut album, and The Who's Who are You. Even though the Blazers did not tour in support of the album, it found pockets of success nationally and around the globe. It was a hit throughout France, sold very well in Italy where it got great reviews, and even had decent sales in England where the prestigious New Musical Express made favorable comments about it.

Back cover dedication of the Blazers album Store Bought
The Blazers stayed together for more than ten years with original members Tate and Ronnie Taylor. They were joined by Rick Miller in 1979 and went on to record their second album called How to Rock. Miller later had a successful career under two different monikers, Rick Rock and Parthenon Huxley. Many people who knew the Blazers believe if they had relocated to Los Angles, New York City, or Austin in the late seventies they would have also been able to achieve national prominence.
The saddest part of writing this piece was discovering that Rodney Underwood had died on June 4th, 2009. He was the vibrant force of the Blazers and an incredible human being. He had a successful career in advertising in both New York City and Pittsburgh. Just prior to his death he finished making a documentary film on the Pittsburgh blues scene called Getting to the Bottom of Our Blues. Rodney's wonderful vocals can be heard on the third track on the music player at the top of this article singing "I Ain't Got You."

Rodney Underwood (1951 - 2009)
by Charly Mann
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by Charly Mann
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In 1970 Chapel Hill seemed to be at the epicenter of the music world as James Taylor's chart topping album Sweet Baby James brought national attention to our little town. While our village was certainly the incubator for many great singer-songwriter talents in those days, including Bland Simpson, Don Dixon, and Mike Cross, the one person everyone knew was destined for stardom was Decatur Jones. He reeked of charisma and talent, yet for some inexplicable reason the stars did not align themselves for Decatur, and his flame has largely faded from our collective memory. Former band mate, and long time Chapel Hill musician, Skip Via recounts for us the recording of Jones’ album that sadly was never released. If any of you have photos or additional memories of Decatur please contact us at chmemories@gmail.com.

Decatur Jones (center with orange t-shirt) and friends Coconut Grove, Florida circa 1982. (photo is by Wayne Sloop)
by Skip Via
In the summer of 1970, Chapel Hill native Decatur Jones assembled a group of local musicians and brought them to New York to record an album. Over the course of a week or so, we recorded 12 tracks in a small studio called Blue Rock Studios in Greenwich Village. All of the tracks were recorded as live takes with Decatur playing and singing in real time along with the other musicians. All of the songs were written by Decatur and arranged by the musicians that played them.
Decatur passed away several years ago at age 44. The album we recorded was never released.
Included here are two of the tracks we recorded with notes on the musicians.
Where Will You Be
Harlan Collins (known during high school as Paul) was living and performing in NYC at the time this recording was made and stopped in to record backing vocals on this track.
Decatur Jones: vocals, acoustic guitar
Jack Becker: double bass
Harlan (Paul) Collins: backing vocals
Corodon (Don) Fuller: piano
Jay Norem: drums
Skip Via: mandolin
Ode to Uncle Sam
The album's producer (name not remembered) brought in a "hot" bass player who was new on the NYC scene. He was a tall, thin, African-American who played excellent bass. Given the time of this recording and my memories of what he looked like, I like to think it was Stanley Clark. I have no proof at all--just my rock and roll fantasy, probably.
Decatur Jones: vocals, acoustic guitar
Unknown: electric bass
Corodon (Don) Fuller: exquisite blues piano
Jay Norem: drums
Skip Via: electric guitar
(Editor's note): Via claims that Corodon (Don) Fuller was possibly the finest musician ever to come out of Chapel Hill
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by Charly Mann
Before there were Arrogance, Mike Cross, the Squirrel Nut Zippers, James Taylor, George Hamilton IV, or Kay Kyser, one man put the University of North Carolina and Chapel Hill on the music map. His name was Hal Kemp, and he was as well known in the 1930's as Madonna, the Eagles, or the Dave Matthews band are today.
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by Arthur "Dan" Gifford
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by Charly Mann
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by Charly Mann
We almost all love the music of the sixties. In fact it still seems to have replaced Muzak as our dominant background music. In Chapel Hill, to hear the music of the sixties usually meant listening to WKIX in Raleigh, because Chapel Hill's only station, WCHL, played only easy listening.
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by Charly Mann
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by Charly Mann
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by Charly Mann
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by Charly Mann
Elizabeth (Nevills) Cotton was born at the railroad tracks between Chapel Hill and Carrboro in 1895. By the time she was eleven she was a sklilled guitarist and banjo player. She wrote one the best loved American songs, Freight Train, when she was about 15 and living on Llyod Street.
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by Charly Mann
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by Charly Mann
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by Charly Mann
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1961
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The past is about to become the present. Come see the heartthrobs of 1960s Chapel Hill reunited for a one time event at the American Legion. Flashback to the voice of Carter Minor and other legendary Chapel Hill musicians including Don Sparrow, Skip Via, Mel Jones, Bif Bream, Jay Cole, Andy Preston, and JP Mitchell. We hope the surprise guests include several members of the Taylor family who were also part of this musical fraternity. We understand at least one set will contain music of The Sands of Time band.
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What is it that binds us to this place as to no other? It is not the well or the bell or the stone walls. or the crisp October nights. No, our love for this place is based upon the fact that it is as it was meant to be, The University of the People.


