In 1970 Chapel Hill seemed to be at the epicenter of the music world as James Taylor's chart topping album Sweet Baby James brought national attention to our little town. While our village was certainly the incubator for many great singer-songwriter talents in those days, including Bland Simpson, Don Dixon, and Mike Cross, the one person everyone knew was destined for stardom was Decatur Jones. He reeked of charisma and talent, yet for some inexplicable reason the stars did not align themselves for Decatur, and his flame has largely faded from our collective memory. Former band mate, and long time Chapel Hill musician, Skip Via recounts for us the recording of Jones’ album that sadly was never released. If any of you have photos or additional memories of Decatur please contact us at chmemories@gmail.com.

Decatur Jones (center with orange t-shirt) and friends Coconut Grove, Florida circa 1982. (photo is by Wayne Sloop)
by Skip Via
In the summer of 1970, Chapel Hill native Decatur Jones assembled a group of local musicians and brought them to New York to record an album. Over the course of a week or so, we recorded 12 tracks in a small studio called Blue Rock Studios in Greenwich Village. All of the tracks were recorded as live takes with Decatur playing and singing in real time along with the other musicians. All of the songs were written by Decatur and arranged by the musicians that played them.
Decatur passed away several years ago at age 44. The album we recorded was never released.
Included here are two of the tracks we recorded with notes on the musicians.
Where Will You Be
Harlan Collins (known during high school as Paul) was living and performing in NYC at the time this recording was made and stopped in to record backing vocals on this track.
Decatur Jones: vocals, acoustic guitar
Jack Becker: double bass
Harlan (Paul) Collins: backing vocals
Corodon (Don) Fuller: piano
Jay Norem: drums
Skip Via: mandolin
Ode to Uncle Sam
The album's producer (name not remembered) brought in a "hot" bass player who was new on the NYC scene. He was a tall, thin, African-American who played excellent bass. Given the time of this recording and my memories of what he looked like, I like to think it was Stanley Clark. I have no proof at all--just my rock and roll fantasy, probably.
Decatur Jones: vocals, acoustic guitar
Unknown: electric bass
Corodon (Don) Fuller: exquisite blues piano
Jay Norem: drums
Skip Via: electric guitar
(Editor's note): Via claims that Corodon (Don) Fuller was possibly the finest musician ever to come out of Chapel Hill
.

What is it that binds us to this place as to no other? It is not the well or the bell or the stone walls. or the crisp October nights. No, our love for this place is based upon the fact that it is as it was meant to be, The University of the People.



My memories of Decatur were before he achieved musical fame. He was a couple years younger than us at Phillips. But, he hung out with us a bit. He was a special guy, with a great deal of charisma. Everybody knew him, and that booming voice of his.