by Charly Mann
Chapel Hill has a long history of producing great bands, but none can match the longevity and outrageousness of Doug Clark and the Hot Nuts. Throughout the sixties they were the most popular fraternity band in the country, and their fame and influence has stayed strong even after the death of Doug Clark in 2002.

Cover of their best album, from 1963, On Campus
Doug Clark started the group in 1955 when he was a student at Chapel Hill's segregated all-black Lincoln High School, which was actually located in Carrboro. The band was originally known as The Tops and then as the Doug Clark Combo in 1956. They performed primarily covers of 1950's rock hits. In early 1957 they added their version of the 1930's blues song Hot Nuts to their set list. The risqué nature of the song, and the rhythm and blues arrangement the band gave it, made it instantly popular among frat boys. From 1957 to 1963 they continued to improve their arrangement of Hot Nuts as well as add new verses to the song. The song became so identified with the group that by 1958 they were called Doug Clark and the Hot Nuts.

Doug Clark Combo 1956
Seeing the appeal of ribald material they soon built a repertoire of naughty songs. They quickly became in demand at fraternities and private parties up and down the East Coast. It was a novelty band because their material was never suited for the mass market, but they were also pioneers in how to be a successful college party band. They did something no other band did: made people laugh and smile throughout their entire show.

This is a picture the band autographed for me at one of their fraternity concerts in 1964
As a young boy of thirteen and fourteen I snuck into at least a half a dozen Hot Nuts shows between 1963 and 64 at various fraternities on Fraternity Court, including Sigma Alpha Epsilon, Sigma Nu, Pi Kappa Alpha, and Pi Lambda Phi. All the members of the group were cordial. John Clark, the saxophonist and Doug's brother, was the most outgoing and charming member of the group. Doug on the other hand was always the quietest and most reserved. While I was not the only Chapel Hill youth crashing these gigs, I think I was the only one who enjoyed the music more than the beer which was always readily available. I recognized at an early age that alcohol interfered with one's ability to concentrate on music, and was used primarily as a quick way to reduce inhibitions between members of the opposite sex.

The Hot Nuts 1963, left to right William "Chicken" Little, John Clark, Ralph Prince (vocalist), Doug Clark. Tommy Booth (piano), Walter Holmes, and Robert Tillman
In 1963 the Hot Nuts recorded their best album, On Campus, in a New York recording studio. Even though the song Hot Nuts first appeared on their debut album, Nuts to You, the definitive version of the song, both musically and lyrically, appears in On Campus. The album also contains several of their most popular songs, including Bang, Bang Lulu, Roly Poly, Barnacle Bill, and the The Big Wheel. By the time this album was released it was not unusual for the group to perform for between 4,000 and 8,000 people. They had huge followings in Atlanta, Dallas, and Baltimore, and also had regular gigs at universities throughout the North, South, and West, including the University of Texas, Yale, the University of Florida, the University of Georgia, M.I.T., and the University of Virginia. Each Spring Break they played to huge crowds at Daytona Beach. In 1963 and 64 they added three female singers to the band, known collectively as The Three Cherries.

It should be remembered that at the time the Hot Nuts were most popular blacks were denied access to most hotels, movie theaters, and restaurants in much of the South. The band made their living playing for all-white fraternities. Few blacks were even admitted to the universities where they were performing, and some, like the University of Alabama and University of Mississippi, denied access to black students. Nevertheless, the Hot Nuts made a good living off the fraternity crowd. It is ironic that many administrations at southern universities decried and sometimes banned the Hot Nuts for their brand of music, but remained silent on the injustice of segregation at their schools.
Factoid: Doug Clark and the Hot Nuts recorded My Ding-A-Ling in 1961 for their first album Nuts to You. In 1972, Chuck Berry had the biggest hit of his career and his only #1 song with the same song.

Doug Clark and the Hot Nuts Discography
• 1961 Nuts to You (Gross)
• 1963 On Campus (Gross)
• 1963 Homecoming (Gross)
• 1964 Rush Week (Gross)
• 1965 Panty Raid (Gross)
• 1966 Summer Session (Gross)
• 1967 Hell Night (Gross)
• 1968 Freak Out (Gross)
• 1969 With a Hat On (Gross)
What is it that binds us to this place as to no other? It is not the well or the bell or the stone walls. or the crisp October nights. No, our love for this place is based upon the fact that it is as it was meant to be, The University of the People.

I still laugh when I think of the Hot Nuts. Again, what a great gimpse of nostalgia. While they may have been irreverant, they were still funny and don't forget, talented as well. Hot nuts, hot nuts, get 'em from your peanut man.